Two Million in Five Years

1. $5

2. $10 - yardsale items,

3. $20 - art print, yardsale items,

4. $40 - art print, yardsale,

5. $80 - art print, yardsale,

6. $160 -art, yardsale items, event,

7. $320 - art, yardsale items, storage unit, event,

8. $600 - art, yardsale items, storage unit, event,

9. $1,200 - art, yardsale items, storage unit, event,

   ——————

10. $2,400 - storage unit,

11. $4,800 - vehicle,

12. $9.600 -

13. $18,000

14. $36,000 - real estate?,

15. $72,000 - real,

16. $140,000 - real estate,

17. $280,000 - real estate,

18. $560,000 - real estate,

19. $1,000,000 - real estate,

20. $2,000,000 - real estate,

Additional thoughts:

• “"The shit is just business… buy for a dollar, sell for two" -Proposition Joe Stewart

• “It’s easier for rich people to build wealth, because it’s easier to make money when you’re money has a chance to work for you.” The money for this project MUST be kept separate.

• Don’t be greedy. This is not an occupation. This is just five years to find 20 great deals.

• Is this is a five year plan, baseline, I have 3 months to do each of the transaction. I have 3 months to turn $5 into $10. I have 3 months to turn $4,000 - $8,000. I have 3 months to turn $200,000 into $400,000. If I can make it happen quicker, great! That might be me more time on some of the larger amounts.

• Don’t be greeedy. Buy it for a steal, sell it for a steal. Get a good deal on a car, sell it for an amount that’s still a steal. If I get a functioning car for $1000, be okay selling it quickly for $1,500.

• Learn fully how to make bigger business deals. Talk to people who know how to make money.

• Incorporate people into the process: “I have (such and such a money) I need to invest in something.

• When I get to the $4,000 - $10,000 level, I will begin asking for advice and investors. “Hey, I got $10,000 to invest in something. Any ideas or anything you want me to invest in?”

Proving Season vol. i

 84 Days to Prove What I Believe Is True

“The burden of proof is on the imagineer”
- Zack Fox

Day 6 is where I will begin sharing this journey. In 2020 I read a book called the 12 week year, which encouraged thinking of 12 weeks as a year, understanding that aiming to achieve ambitious goals in 84 days is more effective than trying to do them in a year, for various reasons — mainly urgency, and inability to predict the future.
That book, or maybe another, also encouraged naming these weeks, giving them a theme to keep focused. That part I’ve never done before, but it’s absolutely how I want to show up for the dates between September 28, and December 20th. Proving Season - so named, because this is a time I need to prove to myself, many of the bold things I believe — about my own capacity, and how the world works.

Tehsuan asked me what things do I believe, which was a great question for the sake of getting clarity on what I’ve given myself the assignment of proving this season, and I’ll share some things.

ArtPop Street Gallery

 About ArtPop Street Gallery Program

Sketchy Tours

Mining the archives for some sketchy thoughts.

Dates listed reflect when the images are shared,
almost never when the images were created.

July 2023

Mural Flash Designs

 A revolving door of pre-made mural designs available at a discounted price.

Fresh off a mural project in Denver, Colorado, and I really want to keep the momentum going. As I expand my focus to larger-scale works, I’m excited to offer a collection of “flash murals”—original designs that are ready to be brought to life in your space. They’re perfect for homes or businesses that appreciate bold, creative art.

I’m offering these pre-designed murals at a special, discounted rate. I am happy to travel and I’m particularly interested in indoor murals for homes or businesses that appreciate vibrant, creative art. The mural sizes range from 150 to 400 square feet, and each design can be modified to complement your space, while maintaining its unique creative energy.

If you’re interested in claiming one of these limited flash murals or know someone who might be, please don’t hesitate to reach out! I’d be thrilled to discuss how we can bring one of these designs into your space.

Thank you for being part of my creative journey, and I hope we can create something beautiful together!

Make. Stuff. Happening

 Make Stuff Happen in My Studio

Love creating but don’t have the space or supplies? Come join me in my studio! For just $60, you’ll get access to four sessions of pure creative freedom, surrounded by art supplies and good vibes. No rules, just making stuff and having fun.

Here’s the deal:

• Who: 10 creative people per session

• When: (Starting January 30) Thursdays, 1-3:30 PM or 6-8:30 PM

• Cost: $60 gets your four sessions (you can pick select which dates to sign up for on my calendar)

This isn’t a class—it’s an open studio for you to explore, experiment, and free play with materials I have available each session. Or you can bring your own project. You’ll meet other creatives. You can sign up with a friend and work on something together. Whether you’re a seasoned artist or just looking to try something new, this space is for you!

Why join?

• Access to my art supplies and hoarded materials

• A chance to make something amazing

• Inspiration and connection with a community of makers

• A creative experience that’s all about fun and discovery

Let’s make this the start of something exciting. Bring your ideas, curiosity, even encourage a friend to sign up! Sign up now to claim your spot—limited spaces available.

How to sign up?

Your 4 slots can be purchased for $60, made payable through:

Zelle: info@chdwck.com
CashApp: $chdwckart
Venmo: @chdwckart

Once purchased, you’ll be sent a calendar link where you can book any 4 available slots (8 people per session) in that 30 day period.

If you have any questions, let me know! I look forward to seeing you!

 FREE Collage Workshop - Bring a Friend

Hello!

I’m hoping this message finds you well! I wanted to personally reach out to you because your continued support of my art. Your enthusiasm and appreciation for my work have truly meant a lot to me.

I have some exciting news to share with you! I am organizing a FREE private beta test of my collage workshop, and I would love for you to be a part of it. As someone who has purchased my art before or shown immense support for my work, I believe your feedback and participation would be incredibly valuable.

During this beta test, you will have the opportunity to invite one friend, and explore the art of collage-making in a fun and interactive environment. We will dive into various techniques and materials, to create unique and personalized collages. It's a chance to get hands-on, unleash your creativity, and share a creative experience with a friend of your choosing.

If you're interested in joining the beta test, here's how it works in 3 easy steps:

1) Click this link to see our SignUp:

https://signup.com/go/ApMJCgb

2) Review the options listed and choose the spot you like.

3) Sign up! It's Easy - you will NOT need to register an account

If you are not able to secure a spot at this time, please let me know your interest, and I will make you a priority for the next offering.

Thank you once again for your incredible support and enthusiasm. It means the world to me, and I truly value our connection. I look forward to hearing from you and, hopefully, having you as part of this special beta test!

https://signup.com/go/ApMJCgb

Warm regards,
CHD:WCK!

Opinions I wasn’t asked for

 Though I can’t exactly relate. I do understand.

This is an interesting space for you, because from the outside, it seems like this is what you’ve been wanting — and I believe it is.

On the other side, I completely understand that this may not be how you want it.

My perception now is THIS is what you want if you’re getting paid BIG MONEY.

And my question would be, what would you rather be doing, or HOW would you rather be doing this?

this is a conversation we can revisit when it’s all said and done. Looking forward to helping.

Fall Cleaning: A Collaboration

Thank you for your interest in collaboration! 

I know I put a broad invitation out there, but I have something fairly specific in mind. Here are the details:

I am purging and clearing out a lot in my studio. I have a lot of process work that I'm just not satisfied with, and instead of throwing it out, or destroying it, I am choosing to give some of it to other artists, so that we can do some sort of informal collaboration. 

I want to keep it simple, so there are some DO's and DON'Ts for this collab.
If you are agreeable to these terms, I will send some of my process work your way.
This collaboration can be "one way" meaning, I send it to you and you put your touches on it, and we're done. Or we can keep it going back and forth until either of us feels it is complete. Below are The Terms:

You CAN:
- paint on the work
- draw on the work
- collage on the work
- tear the work in half
- completely cover the work in whatever way the work inspires
- digitize the work and alter it digitally
- digitize the work, enlarge it and create on the enlargement
- alter the work in any way you can imagine

You CAN NOT:
- SELL, GIFT, or DISPLAY any of what you receive without making a significant alteration

- SELL or GIFT the altered work without us creating a written agreement regarding compensation.
- Assign rights/ownership of the altered work to anyone without us creating a written agreement regarding compensation. 

If you are agreeable to these terms, please send a DM with an address where I can ship some process work. Thank you!

If you have another collaborative idea in mind, I am willing to consider it, but not committing to it. Again, Thank you!

CHD:WCK!

 100 Day Project: A Solo Show

You’re Invited!

Over the last year or two, a number of friends have asked “When are you going to do a solo show?!” A long, vulnerable, reason/excusive-ridden conversation would follow. But now it’s happening! What began as 100 days of simply showing up has grown into something even I didn’t expect.

This show is a check-in — a reminder that art isn’t just about pretty completed masterpieces, but equally, or even more important are the celebration of process, growth, and surprise. This show is also a preview of what’s coming next, as breaking past my own parameters has opened new doors in my work.

I’d love for you to join me at the opening!
Saturday, August 23 | 4–6 PM
Cabarrus Arts Council
65 Union St S, Concord, NC 28025

And if you can’t, come another time — to see two rooms filled with art, stories, creativity, and growth.

There will be a Collage Workshop on September 18th, and an Artist Talk on September 25th.

 Samples and Sound Collages: An Ask

Thank you for your consistent support of my creative pursuits. I'm venturing into dabbling in music as a new form of expression and would appreciate your financial help. I want to sample sounds, create custom soundscapes, and record conversations for various projects. To make it happen, I'm crowdfunding for this music equipment and seeking a $35 loan.

While I can't repay you in cash, I'd love to offer alternative value. Consider it an exchange of services. I can provide things such as an art print, creative consultation, or assistance on a photo session. Let's discuss what interests you in exchange for your contribution.

Please let me know how I can make it worthwhile for you to support this most recent creative endeavor. If you're able to contribute, funds can be sent via
CashApp: $chdwckart
Venmo: @chdwckart
Paypal

Thanks for considering my request. Let's chat more about this and how I can contribute to your endeavors. If you need more info or assistance, just let me know.

Gratefully yours,

Chad

100 Day Project

Do one small thing consistently. Watch something big happen.

Day 74

Today is supposed to be day 100, and I’m 25 days behind. There are some reasons for this, such as being out of town for a week and being sick and out of the studio for five days. But there were also days when I just didn’t show up. I don’t like it, but I also don’t concede defeat. I’ve learned lessons, and these lessons are valuable.

Forgive Yourself

Persevering in a creative practice requires being kind to yourself. My goal is to do something daily for 100 days—over three months. It’s possible. Absolutely possible! But it’s also so easy to mess up. “I mean… in 100 days? “How are you never gonna be slow? Never gonna be late?” Beating yourself up is the quickest way to fail. If you can’t forgive yourself for missing a day or two, You’ll feel defeated and give up. You’ll never complete the thing. Currently, I’m behind, but I can still complete 100 “small things”, even if I don’t meet the deadline for the exact date.

Most of our slip-ups don’t have huge consequences. They don’t end our life, get us fired, or land us in jail. Usually, they barely interfere with our progress. Stumble six times, get up seven. Momentum is probably the most helpful thing in completing a goal, but missing a day doesn’t necessarily mean I’ve lost my drive or excitement for the project. When I missed a day, I learned to check in with myself. Am I losing my momentum? Am I less excited about doing this project? Some days I did find myself less excited, so I’d set up my studio to make it easy to perform the next day. I’d make sure to touch the project in some way—perhaps getting paper ready or using the day to look for new materials to work with.

All or Nothing is Dangerous

My goal each day was to make some type of mark on 10 sheets of paper. I usually ended up doing 12. And usually, I’d try to do the same type of marks. But there were some days when I wanted to try new marks, and doing new marks 10 different ways was a bit overwhelming. At some point, I told myself it’s okay to do the new thing on ONE sheet and do something familiar on the rest of the sheets.

When I find myself overwhelmed, I allow myself to assess whether doing a small part of what I intended is okay. Often it is. I am coming to believe that consistency is the most valuable part of a practice. What I do consistently can change or be adjusted. Thinking if I can’t do it big, I shouldn’t do it at all ruins the progress made by doing things in small increments and letting them add up.

Don’t Rush

Sometimes in playing catch-up, I’d find myself rushing through the work. I don’t love that. This project is for my own accountability, and by remaining present in the process, I can really find answers to questions that the work is asking. The work I am creating in this project doesn't have a specific meaning. It is simply a process I enjoy repeating. But why do I enjoy it? I’ve displayed work in this style, and the response has been favorable. What do people see? Taking my time and being present can help me answer these questions.

For the final 25 days of work, I won’t be rushing. I might allow myself to be repetitive, but I intend to be more focused on the process. There are lessons in repetition. I can learn to master things that initially had no intention. I can find the value in something that at first, was just taking a chance. I love that process.

Watch Something Big Happen

I realized that in creating so much work, there is an opportunity for me to use this work in a variety of different ways. This 100-day project can simply be the beginning of a whole new series of work. I don’t have definite plans for the 1,000+ pieces that will exist once I finish the 100 days, but I have considered at least five different things I can do with this series. I’m looking forward to seeing how doing one small thing consistently can make something big happen.

Day 40

Forty days in, and I’m very bored. That’s not a bad thing. It’s just telling me something. At the rate I’m working, I’m producing a lot of what feels like the same things. In many ways, it is, but there are certain techniques that appeal to me a lot more. I think what I’m learning with the small works is that i’m going to need to slow down in this process. Work slower with more intention. I want mastery over what I’m doing. Really pay attention to how I’m creating the marks and processes that appeal to me the most.

I can also feel myself avoiding the fear that comes with experimenting bigger outside of this project. On day 16, I spoke of some things I want to pursue with this work, and I’m learning how much I need to learn in order to create what I want. I have to give myself space to do things that aren’t successful.

But it does feel good to be able to say that I’m showing up to something consistently. Forty plus days in, and I’m watching the amount of work I create grow. I’m looking forward to going back into old works, and expanding on what I’ve already done. I look forward to framing some of these pieces, and compiling them into a show of some sort.

Forty days of showing up consistently to a process is really getting me the point of being exhausted with what I’ve done, but exciting to do something new. I’m looking forward to turning this work I’m doing into something more substantial.

Day 16 - Progress Report

As an artist, I often wonder, “If no one asked me to make this, and I’m striving to approach my art in a unique way, what makes it valuable?

At its essence, I understand my own need for this artwork—I find satisfaction in expressing my perspective to the world. I enjoy exploring texture and words in ways that surprise me. 16 days into this #100dayproject, I’m getting a little restless with my current approach, yet I am excited to see where it can go! Here are some thoughts on how this consistent showing up is inspiring me to evolve my work:

1. scale expansion:

I want to see my work on a larger scale, yet certain tools limit this aspiration. Inspired by my involvement with ArtPop Street Gallery last year, I consider digitally enlarging the pieces, and employing collage techniques with the enlarged images. Thought the #100dayprojet will continue to be small works, I aim to explore new tools and techniques to manually increase the scale of this work.

2. I need more of my hand in the process.

I want more of my sketches and linework in the drawings. This is going to slow me down, but I have to be okay with not everything is going to look good initially. The only way to find what I’m looking for, and get better is to make "mistakes". My favorite work is often a happy accident, and I learn to master what was once unintentional. I believe the work is the work that flows out of you, and it's too early in this process to be producing my best work. I have to force it for a little while.

3. I'm struggling with the meaning of the work.

At this moment, it doesn't have to mean anything. I make it because I enjoy the process, and I love the way it looks and makes me feel. But I enjoy sharing my work, using it as a basis to connect with others. And so if I want others to connect to it, I do want to be able to talk about it. What goes into it. Why I do it.
Giving this thought over the last few days, I’ve realized something important to me is that there be an “access point” to things I share. I don’t want to dumb the work down, or change it. But I believe artists tend to make work for themselves and other artists. And as artists get better, and more goes into their work, the average person, the “non-artist” has less of an entry point to what they are seeing.
I always want their to be some accessibility to my work. Something that will resonate with the average person and encourage them to spend more time with what I’ve created.

4. presentation matters

I am seeing that I tend to like this work more when it’s paired with other imagery from the series. Or sometimes, a frame is what it takes to make it look like what it makes me feel like on the inside. This work has value to me, and I am learning that it is important to present your work in way that conveys that value to others.

5. CONTINUE LEARNING

Typically, when I work with text, my goal is to create something visually appealing. The message in my text is usually secondary, if it is important at all. However, with this is project, I want to make the find ways to make my work with text more impactful. Working consistently on one series drives me to explore techniques explored by past and contemporary creatives in monoprints, asemic writing, and graffiti, . In my next update, I look forward sharing progress in integrating things I’ve learned into my work.

We Did It!!! Samples and Sound Collages

Last week, when I made the decision to crowdfund for a Roland SP404 MKII, all I knew was I had a goal, and I believed with some help from my friends, I could get there! I didn’t do a wide ask. I reached out to a specific set of people who have consistently shown love and support for my creative work over the years. Thank you for your consistent support of my creativity! And thank you for coming through again, whether that be donating, or even just giving it consideration! I understand not everyone was able to donate at this time, or this might not have been the project you were most interested in supporting. I look forward to sharing more creative experiences with you in the future!

The simple accomplishment of reaching this goal has been inspiring! I plan to share more about this experience, and what it is teaching me, but here’s a note: It has been a long time since I have taken on learning something that was completely foreign to me. Every tidbit of information I get seems to open up doors of understanding and steer me toward more questions. Already, it has opened doors for me to have creative relationships with new artists. I can’t express how excited I am about dipping into the realm of music!

Thanks for making a dream come true! Please follow my musical journey, and hopefully there will be ways you can participate. I will post some on my blog, and more behind the scenes and learning experiences on my Patreon. Thank you again!

Gratefully yours,

CHD:WCK! / Chad